"excellent historical mystery"
Harry Spiegel was the writer with a dream and he shared
that with Moe Shulman; together they created a hit comic
series Wonder Guy and sold it to Donny of American Comics.
However they were two innocents who signed away all rights
including fees for merchandise based on the comic.. Their
contract is coming up and they might not sign up with
American Comics. Stark Syndication, the outlet that
distributes their work to newspapers across the country
would be fairer to them. They have an idea for a comic book and they want to sell
that to Stark Syndication. At Donny's birthday party, he
keels over and dies. A toxicology report reveals he was
poisoned and Jack Stark, V.P. and troubleshooter for Stark
syndication starts an investigation rights. His interest
is purely financial as he doesn't want a long protracted
investigation involving three players in their stable. By
finding the killer, (he is a licensed P.I.) the company
will know what business decisions to make but he soon
realizes he has his work cut out for him. Donny was a man
who many people had a motive to want him dead. A KILLING IN COMICS takes place in 1948 Manhattan and has
a nourish gothic feel to it as well using some comic book
Golden Age history . It is a trip down memory lane when
people believe that comics are destroying the minds of
children who read them. The well executed plot and the
Phillips Marlow type protagonist makes this an excellent
historical mystery. The illustrations by Terry Beatty are
fantastic and visualize key plot points. Harriet Klausner
Reviewed by Harriet Klausner
Posted May 27, 2007
SummaryA cutting-edge mystery novel that combines the
illustrations of Batman artist Terry Beatty with a New York
Times bestelling author.
Manhattan, 1948. America's most famous ex-striptease artist,
glamorous Maggie Starr, now runs her late husband's
newspaper syndicate, distributing the Wonder Guy comic
strip. Wonder Guy, soaring superhero, represents all that is
good about postwar America. But when the cartoon character's
publisher winds up dead, Maggie finds herself working with
her stepson Jack Starr (also her V.P. and chief
troubleshooter) to find a killer among cartoonists, wives,
mistresses and minions of a different sort of
"syndicate"suspects with motives that are anything but
superheroic.
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