"A wonderful historical from a talented author we've missed."
Alistair Carsington, third son to the Earl of Hargate, has
been given an ultimatum by his father - find a well-dowered
bride or a suitable occupation with which to support
himself. Since Alistair's luck with women has never been
good, he accepts his friend's offer to help build a canal.
Alistair's job is to rally the landowners into agreement
about the canal, but they're all opposed, the most
outspoken among them being the well-past-marriageable-age
Mirabel Oldridge. Mirabel refuses to be swayed by Alistair's war hero status,
his respected family name, and most of all, his charm and
good looks. She's sure he can't possibly understand why she
wants to keep the countryside unspoiled, or why she loves
her home so desperately. Although he does his best to chip
away Mirabel's resolve and win her support, she stands
firm, realizing as she does that the infuriating man has
begun to chip away at her heart. A wonderful writing style with crisp, snappy dialog and
great conflict sets this story apart from the rest. The
characters win you over immediately and draw you in with
their wit and determination to succeed at opposing goals. A
recommended read.
Reviewed by Margaret Ohmes
Courtesy Old Book Barn Gazette
Posted February 16, 2004
SummaryAlistair Carsington really, really wishes he didn't love
women quite so much. To escape his worst impulses, he sets
out for a place far from civilization: Derbyshire--in
winter!--where he hopes to kill two birds with one stone:
avoid all temptation, and repay the friend who saved his
life on the fields of Waterloo. But this noble aim drops
him straight into opposition with Miss Mirabel Oldridge, a
woman every bit as intelligent, obstinate, and devious as
he—and maddeningly irresistible.
Mirabel Oldridge already has her hands full keeping her
brilliant and aggravatingly eccentric father out of
trouble. The last thing she needs is a stunningly
attractive, oversensitive and overbright aristocrat
reminding her she has a heart--not to mention a body he
claims is so unstylishly clothed that undressing her is
practically a civic duty.
Could the situation be any worse? And why does something
that seems so wrong feel so very wonderful?
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