"Serial killer plot with a few interesting twists."
Kendra Smith has a personal interest in bringing criminals
to justice. Her teenaged brother was murdered, the body
never found. Hoping to bring closure to other families, she
uses her artistic talent to draw composite sketches for law
enforcement. She's just been called into a new case: a
serial killer is brutally murdering young, blonde "soccer
moms." Kendra isn't sure how she feels about working with Adam
Stark, the FBI agent she once was close to before her
mother's sudden death drove them apart. But the two must
put their personal issues aside as the killings continue,
especially when it becomes clear that for some reason the
killer is trying to get Kendra's attention. If they can
figure out a connection, they can stop a madman before he
claims another victim - perhaps Kendra herself. This is a fairly typical serial killer story with a few
interesting twists. I felt the killer spent too much time
explaining at the end, and Adam and Kendra don't spend a
lot of "quality" time together. If you don't read a lot of
mystery/suspense, you'll enjoy this book, but for die-hard
fans of the genre, it'll be easy to predict what's going to
happen.
Reviewed by Lenore Howard
Courtesy Old Book Barn Gazette
Posted December 10, 2003
SummaryFACE TIME
A skilled compositor for the FBI, Kendra Smith has a way
with witnesses, helping them to remember crucial details
about their attackers they might otherwise have forgotten.
She believes her work helps to provide closure for the
victims and their familiesclosure that has eluded
her for the eleven years since her brother was kidnapped,
his body never found.
Determined to put her painful past behind her, Kendra
throws herself into every case one hundred percent. Now
she is called in to sketch the face of a man the press is
calling the Soccer Mom Killer. It's a difficult
investigation made even harder by the presence of Special
Agent Adam Stark, a man with whom she once had a brief,
passionate affair. As the number of victims continues to
rise, and with a killer always one step ahead, Kendra will
learn a lethal lesson: You can run from the past, but you
can't hide. . . .
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