"Maggie needs more than an alibi; she needs a life outside of her characters."
How disconcerting would it be to have the characters you've
written jump out of your books and into your living room?
Maggie Kelly, mystery writer extrodinaire, has this
problem. Her Regency England characters Alexandre Blake,
Viscount Saint Just and his loyal compatriot Sterling
Balder have gotten bored between the pages of Maggie's
books and have decided to come out and see the world.
Maggie picks herself off the floor from a dead faint; she
never faints, now she has to decide of she is
hallucinating. How is she going to explain any of this? Whereas Saint Just is the perfect Regency English
gentleman, he can be an arrogant pain in the butt in
present day New York City. One has to ask herself -- can a
man be perfect? As you watch these two characters develop, you are
struck by Ms. Michaels' wonderful dialog. Saint Just turns
from an arrogant, self-centered man to someone who can put
Maggie first. Sterling goes from a loveable and cuddly
character to someone who has spunk, though you still want
to cuddle him. When I read MAGGIE NEEDS AN ALIBI, I could
hear their voices saying each word. The dialog will propel
you along and you won't want to put it down. Maggie needs more than an alibi; she needs a life outside
of her characters. Saint Just and Sterling will definitely
force her to interact with people if they have to drag her
kicking and screaming. I believe the team of Maggie and
Saint Just could only improve if the romance were to
blossom. It would sure get the poacher off of Maggie. I am
looking forward to the next book in the Saint Just series
called MAGGIE BY THE BOOK, due out in August 2003. Sensuality: Teasing.
Reviewed by Hunter McKenna
Courtesy Sensual Romance
Posted July 14, 2003
In paperback 2003.
SummaryMaggie Kelly is nothing if not resilient. She bounced back
after getting fired from her old job as a writer of
historical romances, reinventing herself as a mystery
author. She bounced back when she discovered her lover --
who also happens to be her publisher -- cheating on her.
And she bounces right back into her smoking habit whenever
she tries to quit. But something just happened that's got
tough-talking, quick-thinking Maggie swooning into her
super-soft sofa cushions.
Something in the form of an incredibly sexy Englishman by
the name of Saint Just. Alexandre Drake, Viscount Saint
Just, to be exact. Tall, dark, handsome, with an accent to
die for and charm to spare, he's everything she's ever
dreamed of in a man. There's just one problem. He is her
dream man. He's every woman's fantasy. He's the character
who's made her a bestselling author. He's not real. No,
he's not real -- but he is, for some reason, standing in
the middle of Maggie's apartment. With the adorable,
bumbling sidekick she created expressly for him right by
his side -- and eating that piece of fried chicken she was
saving for lunch.
What's a savvy, New York City writer to do when faced with
the figments of her imagination -- in the flesh? Well,
short of checking herself into Bellevue, she'd better get
used to it. Because these guys aren't going anywhere -- at
least not until they've given Maggie a little unsolicited
editorial advice regarding her latest telling of their
adventures. Still, it's not the worst thing in the world to
have a roomie as gorgeous as Saint Just -- even if he is
somewhat arrogant -- and prone to leaving the cap off the
toothpaste.
But just as Maggie's getting used to her new houseguests,
things start to get quite a bit more complicated -- in
the "homicide" sense of the world. It seems her ex-lover,
Kirk Toland, ever the inconsiderate cad, has had the nerve
to die right there in her living room... of poisoning...
after eating a dinner Maggie made. Her cooking isn't that
bad -- is it? And if that weren't weird enough, Toland's
death is soon followed by the murder of a colleague whom
everyone knows Maggie hated.
So, the mystery writer has become the murder suspect. And
the only sleuth who's really on Maggie's side is the one
she invented.
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