"What is an actor?"
Have your ever wondered what it takes to act? What kind of
training must an actor pursue?
How does the actor go about creating the illusions of
different characters?
Many of us never stop to ponder about the craft of acting.
We attend a stage performance or view a movie without
giving any thought to the art behind the performance.
In fact, some of us may even believe that you are born to
be an actor. No matter how diligently you train, unless you
have this innate acting ability, you will never succeed. These and many more queries are addressed in a compact book
entitled "On Acting: Interviews With Actors", edited by
Mary Luckhurst and Chloe Veltman.
The principal objective of the book is to unravel some of
the mystique about the art of acting.
In order to attain some intelligent understanding of
acting, the reader is introduced to a survey of twenty
British and American actors who respond to a series of
questions.
Unlike many of the celebrity interviews we are accustomed
to, the conversations presented in the book avoid intruding
on an actor's private life or the commercial aspects of
their latest project.
It is to be further noted and as indicated in the
introduction, "the book focuses on actors whose roots lie
in the theatre, though many also have a profile in film." Although many of the actors interviewed may not be
household names, nevertheless, reading these interviews
definitely provides us with an excellent overview of
various perspectives of the acting profession. For example, when the question of how does an actor develop
a relationship with the audience, we notice a variety of
responses.
Aysan Celik asserted: "the audience is the final element;
the performers are the bridge between the story and the
audience." He goes on to explain that whether the actors
are performing something completely recognizable to them or
something very abstract, "as long as we, the actors, are
engaged, I think the audience will be too. Whatever we do,
we must not alienate them." Another topic that was frequently broached was the amount
of preparation and research undertaken before a performance.
According to Anna Deavere Smith "acting is creating a
fiction to illuminate a truth-and I think it is- then my
preparation calls for my being aware of all aspects of the
creation of that fiction."
Smith goes to explain that she must be "intimately involved
in all aspects of gathering information, putting it into a
show, knowing what the stage world of the show is (mise
en
scène) and ultimately delivering the show, each night,
to
an audience-some of whom may know the people I am
portraying." Overall, "On Acting: Interviews With Actors" is an
illuminating read and will definitely provide much food for
thought for actors as well as non-actors.
Reviewed by Norman Goldman
Courtesy Bookreview.com
Posted August 26, 2002
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