"Should be a romantic suspense to keep readers on the edges of their seats but never quite delivers"
Summer is a divorced young woman, formerly a model, who
now cleans toilets for a living to make ends meet. Her
biggest contract is with a local funeral parlor. When her
cleaning crew bails on her, she is left to do the job
herself. As if a funeral parlor in the middle of the night
isn't creepy enough, finding a dead man who isn't really
dead, and who takes her prisoner, is a terrifying
experience for the young woman. Steve is local hero, fallen on hard times as a result of
one bad decision that tears his life apart. Now he is on
the run from drug lords, dirty cops, and then some when he
is attacked and left for dead in the funeral home.
Believing Summer to be an accomplice to his assailants, he
takes her hostage to make his escape. On the run from more
bad guys than one can count, they take to the woods where
staying hidden until the case is solved can mean their
lives. Neither Summer nor Steve expect that in the middle
of it all, a passion would blossom between them that they
are unable to fight. Walking After Midnight is a dark tale, filled with
violence and conflict, but tempered with softer moments.
Muffy the dog steals the show on more than one occasion,
as does a certain ghost who pops up frequently. The plot
is strong, with multiple threads seemingly unrelated that
when woven together provide a surprisingly complex story.
The romance however, doesn't quite live up to the
expectations of readers. There is not enough development
of Steve and Summer's relationship to make their new love
feel believable, when all they do is whine and snipe at
each other This story should be a compelling romantic suspense to
keep readers on the edges of their seats, but never quite
delivers. Perhaps that is due to the medium here in which
it was presented, and the narrator of the tale. Ms.
Williams' performance left something to be desired.
Summer's role is much better portrayed, and the narrative
portions are very well done. However, the narrator seemed
unable to master the masculine portions of the dialogue,
making Steve sound rude and domineering, and completely
full of himself. However, loyal fans of Karen Robards will be sure to snap
this book up and enjoy adding it to their collection. © Kelley A. Hartsell, February 2006. All rights reserved.
Reviewed by Kelley Hartsell
Courtesy CK2S Kwips and Kritiques
Posted July 9, 2006
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